Kugel thought specifically about the experience of dying. He thought about the pain, about the fear. Most of all, he thought about what he would say at the final moment; his ultima verba; his last words. They should be wise, he decided, which is not to say morose or obtuse; simply that they should mean something, amount to something. They should reveal, illuminate. He didn’t want to be caught by surprise, speechless, gasping, not knowing at the very last moment what to say.
No, wait, I oof.
I haven’t really given it much splat.
If I could just ka-blammo.
Shalom Auslander, Hope: A Tragedy (2012)
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‘It is now a year since herself was laid to rest. Laid to rest!’ He laughed, a little bitterly. ‘That is what they call it. A week after that again, call it what you like, the graveyard was closed by orders. There are people still to the fore who have their rights under the law; but it is hardly likely that many, if any of them, will try to make good their claim to be buried in Gort na Marbh.’
Gurthnamorrav, the Field of the Dead, that is what those around and about call the lonely patch to this day. Though this generation of them are ‘dull of’ the ancient tongue, such names of native savour, help to keep them one in soul with the proud children of Banbha who are in eternity. Vivid imagery, symbols drawn, in a manner of speaking, from the brown earth, words of strength and beauty that stud like gems of light and grace the common speech hold not merely an abiding charm in themselves. Such heritages of the mind of the Gael evoke through active fancy the fuller life of the race of kings no less surely than those relics of skill and handicraft found by chance in tilth or red bog, the shrine of bell or battle hook, the bronze spear head, the torque of gold.
John Guinan, ‘The Watcher o’ the Dead’, in The Supernatural Omnibus II, edited by Montague Summers
There exist many things considerably worse than death, and the S.S. saw to it that none of them was ever very far from their victims’ minds and imagination.
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Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have. It seems to me that one ought to rejoice in the fact of death — ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life.
James Baldwin, The Fire Next Time (1963)
When grief is raw the presence of the deceased is overwhelming. In households that lost children in the tsunami it became routine, after half an hour of tea and chat, to be asked if I would like to ‘meet’ the dead sons and daughters.
Richard Lloyd Parry, ‘Ghosts of the Tsunami’, London Review of Books
Continued incapacitating grief is the commonest variation of the usual pattern of mourning. There is evidence that the people who at first do not demonstrate their grief may later show this troubled, chronic state. To recognize a state of grief as being unduly prolonged, however, infers that there is a generally accepted length of mourning. In fact the duration of sorrow varies enormously.
John Hinton, Dying (1967)
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I am so happy, so happy.
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Empty-handed I entered the world
Barefoot I leave it.
My coming, my going –
Two simple happenings
That got entangled.
The story goes: One February morning in 1360 the Zen monk Kozan Ichikyo, aged 77, wrote his jisei (‘death poem’), put down his brush, and died where he sat.
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Behind the clouds, in the south, a clear patch was growing larger, and pretty soon emptiness would have the sky. That was the way, a dream of days followed by emptiness, the huge water turning over the grains of sand, neither one knowing which was big and which was small. Mr. Cheung was uneasy and sad. He would have to die, and the quiet knife of this fact wasn’t dissuaded by the interplay of milkiness and inkiness in the textures of the Atlantic under these clouds of October, or by his prayers, best wishes, or sorrow. His mood swelled and the action of the wind over the beach seemed full of power.
Denis Johnson, Fiskadoro
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I remember when I was a girl and a young man fell in love with me, and he came and sang in the rain under an apple-tree outside my windows, and he caught tuberculosis and died.
—Nora Barnacle, quoted in Brenda Maddox’s biography Nora.
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